On Parody

Models for Computer Generated Parody

This paper outlines two approaches to the construction of computer systems that generate prose in the style of a given author. The first involves using intuitive notions of stylistic trademarks to construct a grammar that characterizes a particular author—in this case, Ernest Hemingway. The second uses statistical methods for inferring a grammar from samples of an author’s work—in this instance...

Parody: Another Revision

The vast diversity of the proposed definitions of parody, both before and after the twentieth century, can be an emblem of the lack of a thorough agreement amongst the literary critics about the definition of this literary technique (genre?!). While there is not a comprehensive all-accepted definition of parody, modern and postmodern literatures both exhibit a wide application of it. After look...

Beyond the "Holy See": Parody and Narrative Assemblage in "Cyclops"

Parody and transcription in the B-Minor Mass

The Imaginary Trademark Parody Crisis (and the Real One)

In the two decades since the Supreme Court protected a crude rap spoof from copyright liability in Campbell v. Acuff-Rose Music, Inc., courts have grown to understand the great value of parodic expression in trademark cases as well. Today, plausible claims of parody almost always prevail over trademark rights in judicial rulings. This Article demonstrates that it is simply wrong to suggest, as ...